This technique improvement is based on the book Stick Control for Snare Drummers written by George L. Stone published originally back in 1935. You can order a copy of the book from Willis Music Store or from Amazon.com: Stick Control for Snare Drummers written by George L. Stone.
This book is one of the most highly recommended drum books ever written in order to improve your technique; no matter what type of drummer you are. Here is the description of the book on Amazon:
"George Lawrence Stone's Stick Control is the original classic, often called the bible of drumming. In 1993, Modern Drummer magazine named the book one of the top 25 books of all-time. In the words of the author, it is the ideal book for improving ""control, speed, flexibility, touch, rhythm, lightness, delicacy, power, endurance, preciseness of execution and muscular coordination,"" with extra attention given to the development of the weak hand. This indispensable book for drummers of all types includes hundreds of basic to advanced-level rhythms, moving through categories of single-beat combinations, triplets, short roll combinations, flam beats, flam triplets and dotted notes, and short roll progressions."
My drum instructor informed me that I will be working out of this book in the future. Okay, enough about the book, lets get to the meat and potatoes of why I'm writing this, the exercise that inspired me. This repost is from jazzsnob on the DrummersMagazine.com Official Discussion Form posted on 09/08/2006 (see resource STICK CONTROL (george L stone) your experiences and suggestions) in which he describes how he was taught to use the exercises that are in the book:
"This is an awesome thread, and I hope it gets stickied. I'll add the way I learned.
This is by no means the only way to do stick control, but this is a proven way to get some serious technique together. It requires A LOT of patience, and I don’t suggest starting it if you aren’t going to finish it. It’s EXTREMELY difficult sometimes. And also, the method takes about 3-5 years to complete. And you only practice the first page of the book.
THE JIMMY SAGE/CHUCK BROWN/BILLY GLADSTONE METHOD FOR STICK CONTROL.
Set your metronome to an 8th note of about 100. Most drummers should be able to do anything on the first page at that tempo after a few minutes of messing around. Now spend an entire week working(I’m sorry, I don’t have my book with me, so I don’t have exact numbers) on the . Just singles, doubles, and the first paradiddle exercise. Only those two , extremely slow. The doubles and paradiddles should sound EXACTLY like singles. It’s good to go over this method with a teacher, or to record yourself doing it on a snare drum to make sure everything is perfect. Then, one week later, you practice single, doubles, and the next exercise, inverted paradiddles(RLLRLRRL). If it takes you two weeks to get it perfect, fine. Give youself time on these excercises.
Another difficult part of the exercise is that every minute or so you should raise your stick to at least a 12-16 inch height and play at that height for 8 measures. Then you bring in back down. You must do this perfectly in time and make sure all the strokes are still uniform in dynamic and tonal quality and all that jibba jabba. This will give you “good pain” after a while, your muscles WILL get sore, but they will never give you terrible pain.
Remember, just like G.L. Stone said, stay relaxed 100% of the time, even when you go up. You should be putting at least 30 minutes a day into these excercises.
So you spend 2 months, going through excercises 5-24 or something at tempo 100. Done now? Great! Now you do it all over again at 104! and 108! and 112! and 116! and so on!. Never go up more then one click on a metronome when starting the page over.
The reason this exercise method is so difficult is because you have to be so patient. A lot of younger drummers especially want to start faster, speed up the next day, blah blah blah. If you do that you WILL NOT IMPROVE AS QUICKLY. This exercise really seriously does require patience. It apparently takes an entire year to get from 200 to 208.
The reasons this exercise is GREAT are numerous. First of all, you are always working on singles and doubles. Singles and doubles are what most of drumming is made of. Second of all, spending a couple weeks on only one combination of 8 notes makes you completely intimate with the pattern, and you will be able to interchange it in time with any feel you want. I guarantee you that by the time you finish this exercise(in 2112 or so) you will have some SERIOUS technique. One of my drum teacher’s older students is on 176 or something(he's been doing for 3 1/2 years) and has some crazy technical abilities.
Good technique means you can learn parts faster.
Yay for good technique!
p.s. do these excercises on a practice pad with LOTS of rebound. Don't worry, you won't need a pillow to "feel the burn" once you get to about 138 or so."
This is by no means the only way to do stick control, but this is a proven way to get some serious technique together. It requires A LOT of patience, and I don’t suggest starting it if you aren’t going to finish it. It’s EXTREMELY difficult sometimes. And also, the method takes about 3-5 years to complete. And you only practice the first page of the book.
THE JIMMY SAGE/CHUCK BROWN/BILLY GLADSTONE METHOD FOR STICK CONTROL.
Set your metronome to an 8th note of about 100. Most drummers should be able to do anything on the first page at that tempo after a few minutes of messing around. Now spend an entire week working(I’m sorry, I don’t have my book with me, so I don’t have exact numbers) on the . Just singles, doubles, and the first paradiddle exercise. Only those two , extremely slow. The doubles and paradiddles should sound EXACTLY like singles. It’s good to go over this method with a teacher, or to record yourself doing it on a snare drum to make sure everything is perfect. Then, one week later, you practice single, doubles, and the next exercise, inverted paradiddles(RLLRLRRL). If it takes you two weeks to get it perfect, fine. Give youself time on these excercises.
Another difficult part of the exercise is that every minute or so you should raise your stick to at least a 12-16 inch height and play at that height for 8 measures. Then you bring in back down. You must do this perfectly in time and make sure all the strokes are still uniform in dynamic and tonal quality and all that jibba jabba. This will give you “good pain” after a while, your muscles WILL get sore, but they will never give you terrible pain.
Remember, just like G.L. Stone said, stay relaxed 100% of the time, even when you go up. You should be putting at least 30 minutes a day into these excercises.
So you spend 2 months, going through excercises 5-24 or something at tempo 100. Done now? Great! Now you do it all over again at 104! and 108! and 112! and 116! and so on!. Never go up more then one click on a metronome when starting the page over.
The reason this exercise method is so difficult is because you have to be so patient. A lot of younger drummers especially want to start faster, speed up the next day, blah blah blah. If you do that you WILL NOT IMPROVE AS QUICKLY. This exercise really seriously does require patience. It apparently takes an entire year to get from 200 to 208.
The reasons this exercise is GREAT are numerous. First of all, you are always working on singles and doubles. Singles and doubles are what most of drumming is made of. Second of all, spending a couple weeks on only one combination of 8 notes makes you completely intimate with the pattern, and you will be able to interchange it in time with any feel you want. I guarantee you that by the time you finish this exercise(in 2112 or so) you will have some SERIOUS technique. One of my drum teacher’s older students is on 176 or something(he's been doing for 3 1/2 years) and has some crazy technical abilities.
Good technique means you can learn parts faster.
Yay for good technique!
p.s. do these excercises on a practice pad with LOTS of rebound. Don't worry, you won't need a pillow to "feel the burn" once you get to about 138 or so."
This is a great technique of the application of exercises the book has to offer that will help build your technique as I quote the book, "control, speed, flexibility, touch, rhythm, lightness, delicacy, power, endurance, preciseness of execution and muscular coordination,"
I have been using this technique now for about two weeks and I already have seen improvement in playing singles, doubles and the paradiddle as it relates to grooving these with the metronome. I have also turned on my instructor onto this method and maybe one day he will be using it with his other students.
Resources:
Top 25 Timeless Drum Books by Modern Drummer Magazine:http://www.moderndrummer.com/site/2013/04/25-timeless-drum-books/#.UZr7oUmv9mI
STICK CONTROL (george L stone) your experiences and suggestions:
http://drummerworld.com/forums/showthread.php?t=17751&highlight=stick+conrol
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